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Twenty-seven-year-old Hank Middler, an accountant and part-time blogger from Johannesburg, this morning admitted to reporters from Muse and Abuse that he "just didn't understand anything at all about that play, man."
Middler, who asked not to be named for fear of being called a narrow-minded, alliterate prick by his art-loving, hyper-literate, wine-sipping, vegetarian friends, has been at the National Festival of the Arts in Grahamstown for three days now. Having seen seven shows so far, he has reportedly felt the cognitive ennui building up since Friday's showing of a man in woman's clothing hitting a metal pole with an ANC flag.
"At first I watched a naked Swedish man sitting in a glass box dripping blue paint on himself, and then I watched a play in which the actors only barked at each other," he told us with a sigh. "Now this... I just... I just don't get it."
Despite this deep-seated fear of literary inadequacy, psychologists from the Institute of Looking Clever and Profound and Stuff (ILCPS) have said that there are probably hundreds at the Festival suffering the same debilitating mental block.
"What this poor man doesn't realise is that there are many who don't, to quote, 'connect with the innermost themes and central ideas around which the existential critique of modern society is constructed'," said Theatre psychologist Deep Akchopra.
However, he added, there is much festival-goers can do at least look like they did.
"We strongly recommend working on your 'ahs' and 'hmmm' murmurs of agreement or dissent," he said. "Also, you should sagely scratch your philosophical neckstubble. Bonus points if you're a woman with a beard."
Apparently, even what you wear and how you speak can affect it.
"Wear glasses if you can," said the ILCPS. "Pipes and tweed jackets are a plus. if possible, mention "context" or "post-structuralist approaches" and nod sagely whenever someone uses these key words."
The Institute was quick to warn festinos about following their immediate instincts.
"For the love of God, don't say out loud that the art or performance doesn't mean anything and that perhaps people are reading into it a little too deeply."
However, eventually the intertextuality and representation of maternal conflict within the particarchal discourses might become too much, said the Institute. In this case, they should expose themselves to contrasting material.
"Just go watch David Newton or something. That's about as deep as a contact lens."
