The life’s work of painter, artist, novelist and poet Edward Rosterford is being hailed as “irrefutable genius” this week, following his death in a terrible road accident last weekend. He was 34.
Since the news of the artist's tragic passing - which police suspect could have been suicide - tributes have been flooding in from across the world, mourning the “lost master” as “one of the true experts of his trade.”
“Now that he is gone, I can really see the poignant weight of his works," said one fan at the large memorial held in Rosterford's memory. "When he was alive he was a bit of a prick, really, and I never really liked anything about his writing, but I think death is quite becoming of him. I think this new phase is making his works blossom quite nicely in a way that being alive could never really do for him."
The work, which was once branded “useless,worthless trash that only a total moron would ever pay money for” is now being auctioned off, with chief pieces fetching as much as 12 million rand.
"His style is very hot on the market now," said auctioneer and arts expert Maika Sithall-Hupp. "If we look at the central, seminal pieces in his body of work, such as Rain and Gilded Dream, we can see pertinent themes of the artist battling to having his work noticed. Exposure, a series of oil paintings on canvas, shows the evocative disparity and bitter irony of never being paid for one’s art, while suffering from the elements in a shoddy apartment that the portrayed character can’t afford to have heated. In effect, the artist seeks two kinds of warmth: the warmth of love, of recognition, of celebrity for what is most dear to him, and the warmth of a radiator that is keeping him alive in the dead of winter. So we see the visual representation and human embodiment of the cruel play on words of 'Dying for Exposure'."
Other art experts agree.
"Where before his the major pieces of his oeuvre, such as Impassioned Passing and Inner Turmoil were just random colours mashed up and tossed haphazardly onto canvas, this major break-through in his career brings to them a new context of reception," said gallery owner Jake Henderson. "Gone are the blase brush-strokes and careless composition - instead, we see masterpieces that not only define a generation, but could make me very rich indeed with a much lower royalty payout.
These and other stunning works by the late and great Rosterford will be showcased all weekend at the De Bruin's ArtHouse Gallery, alongside the dreary talentless bullshit made by other artists currently still alive.
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